Selected works:
Revolutionary Communism vs. Institutional Banality, Lux Magazine, 2024
Red Scared: Revising History at the Victims of Communism Museum, The Baffler, 2023
How the Government-Funded CETA Jobs Put Artists to Work, Creatives Rebuild New York, 2023
Artist Romare Bearden’s Reckoning with the South, Jacobin, 2023
Why Monuments to Nazi Collaborators Are All Over America, ARTnews, 2022
The Radical Aesthetics of Pablo Picasso, Tribune, 2022
The Misgendering of Joan of Arc, Hyperallergic, 2022
Songs of Slavery and Emancipation Reviewed, Pitchfork, 2022
Artists Condemn New Queens Development “Masquerading as a Cultural Benefit,” Hyperallergic, 2022
Follow-Up: Pioneer Works Backs Out of Controversial Queens Development
Helga Paris’s Women at Work Reviewed, The Brooklyn Rail, 2022
NYC Art Teachers Fight for Better Working Conditions, Hyperallergic, 2022
Essential Focus: Yashua Klos Interviewed by Billy Anania, BOMB, 2022
Bread and Roses: Revisiting The Wobblies Amid a Labor Resurgence, Artforum, 2022
Warhol’s Mao Turns Fifty, Art in America, 2022
A Working-Class Artist Is Something to Be, Hyperallergic, 2022
Artists Can Build Power as Workers, Jacobin, 2022
The Dada Movement’s Political Turn, Jacobin, 2022
The Problems and Pleasures of an Activist Art Exhibition, Hyperallergic, 2022
Planting Seeds of Opposition: Cabral’s Cultural Front, ROAR, 2022
Artists Are Embracing the Power of Refusal, Hyperallergic, 2022
Bob Thompson’s Provocative Challenge to Euro-American Art History, Hyperallergic, 2021
The Radical Printmaking of Käthe Kollwitz, Jacobin, 2021
A Cameroonian Artist Explores the Ambazonian Fight for Postcolonial Freedom, Hyperallergic, 2021
Langston Hughes Was a Lifelong Socialist, Jacobin, 2021
The Long Legacy of Nazi Art, Tribune, 2021
The American Muckrakers Who Spoke Truth to Power, Jacobin, 2021
Art Museums Touted as Community Investments Are Actually Fueling Gentrification, Truthout, 2021
The Photographers Who Captured Russia on the Eve of Its Revolution, Hyperallergic, 2021
Alannah Farrell’s Self-Portrait “Cutlet” Imagines a Body Transformed, Art in America, 2021
The Ashcan School Painted the American Working Class, Jacobin, 2021
How Watermelon Became a Symbol of Palestinian Resistance, Hyperallergic, 2021
Albert Einstein, the Pro-Palestinian Socialist, Current Affairs, 2021
Chinese Artist Dawei Wang Contemplates Social Distance and Life in Greenpoint, Greenpointers, 2021
Addiction Is Not a Crime, Cosmonaut, 2021
Bringing Abolition to the Museum (Interview with Shellyne Rodriguez), Boston Review, 2021
Lewis Hine, Photographer of the American Working Class, Jacobin, 2021
The Iconography of the Paris Commune, 150 Years Later, Hyperallergic, 2021
Laying Down Roots: Adjua Gargi Nzinga Greaves’s Radical, Botanical Future, Hyperallergic, 2021
jc lenochan: UNDOING WHITE MESS Reviewed, The Brooklyn Rail, 2021
Alice Neel, Painter of the People, Jacobin, 2021
Bulls, Bears, and Other Symbols of Wall Street Protest Art, Hyperallergic, 2021
US Journalists Form Unions to Survive “Hedge Fund Vampires” and COVID-19 Pandemic, Shadowproof, 2021
The Penetrating Heat of De Por Vida, Hyperallergic, 2021
How to Recognize Right-Wing Dog Whistles, from Viking Hats to Flags, Hyperallergic, 2021
Art Museums in the US Are Facing a Reckoning, Jacobin, 2020
What Can We Learn from the Salem Witch Trials?, The Art Newspaper, 2020
Forrest Kirk’s ‘Body Count’ Series Is More Relevant Than Ever, Otis, 2020
The Story Behind a Misunderstood Satanic Monument, Hyperallergic, 2020
Reactionary Masculinity by Gilles Dauvé (translation), Pinko Magazine, 2020
What Would It Look Like to Decolonize Cartography? A Volunteer Group Has Ideas, Hyperallergic, 2020
Staff at Milwaukee Art Museum Move to Create Wall-to-Wall Union, The Art Newspaper, 2020
Philadelphia Museum of Art Vote to Unionise in 89% Supermajority, The Art Newspaper, 2020
How Black Cats Went from Bad Luck to Symbols of Defiance, Hyperallergic, 2020
The Los Angeles Paper That Documented Police Brutality in the 1960s and ‘70s, Hyperallergic, 2020
Tender Pencil and Ink Drawings Pay Tribute to Nursing Home Patients, Hyperallergic, 2020
Gerhard Richter’s Slippery Mystique, Hyperallergic, 2020
New York Union Leader Maida Rosenstein on the Crisis for Museum Workers, The Art Newspaper, 2020
In the War of Memes, Iran Is Trouncing the United States, Hyperallergic, 2020
Baseera Khan’s Vivid, Anti-Imperialist Odes, Hyperallergic, 2019
The Cop-Attacking Chilean Dog Who Became a Worldwide Symbol of Protest, Hyperallergic, 2019
How Helen Frankenthaler’s Coastal Escapes Shaped Her Paintings, Hyperallergic, 2019
Untethering Filipino History from American Exceptionalism, Hyperallergic, 2019
Observing Oppression, Medium, 2018
Palm Oil Industry Threatens the Future of Borneo’s Wildlife, Unreasonable, 2018
Exhibition Review: “The Way We Live Now” Summer Open at Aperture Foundation, Musée Magazine, 2018
Unlikely Champions, Eighty Magazine 06: The Victory Issue, 2018 (Print)
New York Magazine Celebrates Anniversary with City-Wide Art Project, The Asbury Park Press, 2018
Exhibition Review: Edmund Clark, “The Day the Music Died” at ICP New York, Musée Magazine, 2018
Tenement Museum Projects Tell Stories of Immigrants, The Asbury Park Press, 2018
Exhibition Review: Latoya Ruby Frazier at Gavin Brown's Enterprise, Musée Magazine, 2018
David Hockney Retrospective Showing at The Met, The Asbury Park Press, 2017
Shore Photographer Captures Grace in Everyday Life, The Asbury Park Press, 2017
Ai Weiwei's NYC Sculpture Exhibit Focuses on Trump, Immigration, The Asbury Park Press, 2017
Asbury Park Artist Daniel Loxton Takes His Time Painting, The Asbury Park Press, 2017
Photography Exhibition Surveys 40-Year Career Overseas, The Asbury Park Press, 2017
Latin American Artists Celebrated in Red Bank Art Show, Artsy, 2017
Italian Artist Reaches Great Heights at Met Breuer Show, The Asbury Park Press, 2017
Neptune Artist Carves Humanity into Wood Sculptures, The Asbury Park Press, 2017
New York MoMA Exhibition Celebrates Russian Avant-Garde, The Asbury Park Press, 2017
Asbury Park Mural Project Pushes Beauty to North Side, The Asbury Park Press, 2016